|  | In 
              1883, William F. Cody discovered there was more money in show business than in hunting and scouting.
 Albert 
              MarrinCowboys, Indians and gunfighters (1993)
 
 For 30 years Buffalo Bill's Wild West show toured 
              the United States and Europe, playing at exhibition grounds to enormous 
              crowds. Attending the Wild West show often seemed like an initiation 
              into living popular Western history. The scenes and narratives enacted 
              on stage were dramatic re-enactments of famous incidents such as 
              the “Attack on the Deadwood Stage Coach,” “Attack 
              on a settler's Cabin,” “Great Hold-Up,” “Bandit 
              Hunters of the Union Pacific,” “Attack on an Emigrant 
              Train,” and so forth. The Wild West show featured a multicultural 
              company that included riders from five continents and strangely 
              diverse ethnic groups like, everything from American Indians, cowboys 
              and cowgirls, Mexican vaqueros, Boers, gauchos, Japanese "samurai" 
              and Cossacks. William F. Cody a.k.a. Buffalo Bill (1846-1917) was 
              a frontiersman, hunter, scout, showman and entrepreneur. In 1867 
              Cody began hunting buffalo (reportedly he shot 4, 280 of them) for 
              Kansas Pacific work crews, thereby earning his nickname and reputation 
              as an expert shot. In 1872, he became one of only four civilian 
              scouts to be awarded the Congressional Medal of Honor during the 
              Indian Wars for valor in action.   When 
              the show was launched in 1883 it was an immediate success. According 
              to The Illinois State Journal, the show was, “of the very 
              highest importance to children because by the time they are adults 
              the whole thing will have gone to the forgotten past.” The 
              capturing of this vanishing frontier world and cultures was deemed 
              one of Cody's most important legacies. By 1885, the show's annual 
              income had reached $100 000. |  | 
         
          | In some 
            degree the Georgian riders partially owe their recruitment in the 
            shows to Mark Twain, the famous American writer, because he was the 
            one who suggested that Buffalo Bill travel Europe. That's when Cody 
            decided to involve representatives of other nations in his shows. 
            In 1893, more than 6 million people around the world are recorded 
            to have attended the shows. Cody never again witnessed such tremendous 
            success. This is how Tsnobis Purtseli described the show, “This 
            is not a circus but an ethnographical exhibition; the people of various 
            nations clad in their national outfit and ammunition enact scenes 
            sometimes in a field, at home or during battles. Imagine a circus, 
            where more than 200 riders are incorporated into the battle scenes. 
            The stage is so huge that riders look like ants and for that reason, 
            organizers employ a “shouter” though even he fails to 
            communicate the messages to the public. The Circus can seat 10 to 
            12 thousand people.” |